![]() Node tooltips now indicate LUT and effect type present.Track forward and back with a single action in trackers and magic masks.Improved HSL and luma keyers with updated matte finesse controls.New 3D Keyer with new modes, better selection/stroke logic, live feedback.Support for ACES 1.3, gamut compression and new CSC transforms.Support for an automatic mode for color managed projects.Preview generators and titles from the effects panel in the cut viewer.Ability to close timeline tabs with middle click.New customizable key actions to go to previous/next timeline tabs.Support for folder based organization of effect templates.Improved undo support for Fusion effects and Text.Improved overlays for Fusion tools in the viewer.Support for custom aspect ratio controls for shape transitions.Ability to set per-clip deinterlace quality in the inspector.Preview composite modes by hovering over each mode in the inspector.Option to limit audio sync to the first timecode match.Support for pasting retime attributes on audio clips.Fine audio clip gain adjustments using shift.Trim video and audio transitions asymmetrically using cmd/ctrl.Edit asymmetric audio transitions created in the Fairlight page.Ability to mark selection for timeline gaps.Switch multicam angles in the edit page with the speed editor.Options to include effects and grades for render in place operations.Improved ease in and out functionality for position curves in the timeline.Simple titles and subtitles are faster on Apple Silicon systems.Adding a new subtitle caption now auto-focuses on the text area.Subtitle tracks in nested timelines now decompose to the main timeline.Subtitle and caption backgrounds now auto-resize to fit text content.Sync markers and comments with Dropbox in Studio.Sync comments and annotations with Dropbox Replay in Studio.Render presets for Dropbox and Dropbox Replay with background uploads.Dropbox login within DaVinci Resolve preferences.Native HDR viewers on M1 Pro and M1 Max MacBook Pros.Smoother 120 Hz UI and playback on M1 Pro and M1 Max MacBook Pros.Subtitles can auto resize backgrounds and decompose to parent timeline.Text+ support for combined glyphs, right to left text and vertical layouts.New Resolve FX including film halation and custom mixers.Improved 3D keyer and matte finesse controls.Simplified auto color management settings with SDR and HDR selection.Steinberg VST3 support with access to even more audio effects. ![]() Export timeline markers as YouTube video or QuickTime chapters.Sync markers, comments, annotations with Dropbox and Dropbox Replay.Native Dropbox and Dropbox Replay integration with render presets.Native HDR viewers and 120 Hz playback on supported MacBook Pros.Faster DaVinci Neural Engine performance on Mac OS Monterey.Hardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.Now available for both Mac and Linux, the true quality and power of DaVinci is now affordable for everyone! DaVinci is the name behind more feature films, television commercials, documentaries, episodic television production and music videos than any other grading system. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci and love it as their trusted partner in creativity. That's the only way I can use a MacBook (or iPad).DaVinci Resolve Studio is the color corrector standard in post production since 1984. I also could pick a device that didn't use PWM for screen brightness, which means I can now use my laptop without sun shades and avoid a migraine. Ended up saving $850, and still get better Resolve performance due to the GPU disparity (and a Ryzen 9 CPU is no slouch, anyways). I ended up returning mine and getting a PC Laptop instead. My guess is that iMacs will come with the same setup and stipulations. $400 for 768GB of NVMe storage is insane. My issue with these machines is that they are too expensive to "spec up." I bought an M1 MBP with 16GB RAM and 1TB SSD and it was $2,012 after taxes. Apple needs to (and will obviously) release better spec packages. These current M1 machines are entry-level. Resolve is an exaggeration of this.Īnything GPU intensive will see PCs with decent dGPUs - even mid-range cards - outrun the M1. The CPU performance of the M1 is impressive, but more and more software are moving in a direction where the GPU is becoming more and more important. Resolve really needs an 8GB or better GPU for 4K work which the M1 cannot yet compete with.Įven Laptops with i7s/Ryzen 7 or 9 and RTX2060 will perform better because the GPU is the differentiator with Resolve. But even a modest PC desktop with 16GB RAM and an 8GB GPU will run Resolve much faster than a Mac M1 in my experience.
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